Screen Studies
SCRN · 69 courses
- Courses
- 69
- Professors
- 53
- Sections
- 890
- Active
- 1995–2026
- Sections this term
- 13
Professors (53)
- Aslihan Onaran (5)
- Aysehan Julide Etem (2)
- Beth W. Gale (1)
- Brittany E. Severance (1)
- Cara L. Berg Powers (1)
- Carol Donelan (1)
- Clark Farmer (2)
- Cynthia R. Conti (13)
- Dana N. Benelli (33)
- Derek M. Dubois (2)
- Erica L. Tortolani (24)
- Fadia Nordtveit (1)
- Frederick A. Simon (59)
- Germinal Isern (1)
- Gohar T. Siddiqui (53)
- Gordon B. Arnold (1)
- Himilce Novas (1)
- Hugh Manon (109)
- Inmaculada Alvarez (1)
- J. S. Oberacker (3)
- James Howzell (He/Him) (1)
- Jason M. Rossi (4)
- Jed C. Samer (24)
- Jennifer D. Schnepf (1)
- Jennifer L. Plante (She/Her) (1)
- Jeremy M. Powell (22)
- John J. Lynch (2)
- John McGinn (1)
- Jon Lupo (2)
- Jonathan M. Dickstein (1)
- Kathryn D. Silverstein (1)
- Kevin Anderson (29)
- Khary Jones (5)
- Kirk Jalbert (6)
- Lisa Kasmer (1)
- Marcia Butzel (111)
- Marvin D'Lugo (45)
- Matt P. Malsky (4)
- Matthew P. Schmidt (2)
- Michael Eldridge (7)
- Michael K. Spingler (3)
- Michael L. Siegel (28)
- Patrick G. Kopka (1)
- Robert Tobin (1)
- Rona Sheramy (1)
- Ronald M. Lamothe (1)
- Ryan Engley (2)
- Samantha Farinella (1)
- Soren P. Sorensen (97)
- Stephanie Larrieux (55)
- Timothy Shary (65)
- Usha Iyer (3)
- Walter Schatzberg (4)
Offerings by year Fall, Spring, Summer, Intersession
| Year | Fall | Spring | Summer | Intersession |
|---|---|---|---|---|
| 2026 | 63% full: 130 enrolled of 205 seats across 13 sections | No data for this term | No data for this term | No data for this term |
| 2025 | 73% full: 148 enrolled of 202 seats across 13 sections | 69% full: 142 enrolled of 206 seats across 14 sections | 25% full: 5 enrolled of 20 seats across 1 section | Not offered |
| 2024 | 66% full: 178 enrolled of 270 seats across 17 sections | 74% full: 168 enrolled of 226 seats across 13 sections | 35% full: 7 enrolled of 20 seats across 1 section | Not offered |
| 2023 | 69% full: 182 enrolled of 263 seats across 14 sections | 68% full: 192 enrolled of 282 seats across 17 sections | 20% full: 6 enrolled of 30 seats across 1 section | Not offered |
| 2022 | 76% full: 205 enrolled of 271 seats across 17 sections | 73% full: 161 enrolled of 222 seats across 15 sections | Not offered | Not offered |
| 2021 | 78% full: 191 enrolled of 245 seats across 15 sections | 70% full: 171 enrolled of 245 seats across 16 sections | Not offered | Not offered |
| 2020 | 85% full: 181 enrolled of 213 seats across 12 sections | 82% full: 201 enrolled of 244 seats across 15 sections | Not offered | 60% full: 3 enrolled of 5 seats across 1 section |
| 2019 | 71% full: 193 enrolled of 272 seats across 15 sections | 83% full: 189 enrolled of 229 seats across 16 sections | Not offered | No data for this term |
| 2018 | 63% full: 140 enrolled of 224 seats across 12 sections | 73% full: 184 enrolled of 252 seats across 16 sections | 20% full: 1 enrolled of 5 seats across 1 section | No data for this term |
| 2017 | 58% full: 130 enrolled of 226 seats across 13 sections | 74% full: 165 enrolled of 224 seats across 13 sections | 20% full: 1 enrolled of 5 seats across 1 section | Not offered |
| 2016 | 78% full: 157 enrolled of 201 seats across 12 sections | 82% full: 141 enrolled of 171 seats across 13 sections | Not offered | No data for this term |
| 2015 | 73% full: 173 enrolled of 237 seats across 13 sections | 102% full: 210 enrolled of 206 seats across 14 sections | 100% full: 2 enrolled of 2 seats across 2 sections | No data for this term |
| 2014 | 83% full: 177 enrolled of 212 seats across 14 sections | 71% full: 160 enrolled of 225 seats across 17 sections | 100% full: 2 enrolled of 2 seats across 2 sections | No data for this term |
| 2013 | 77% full: 187 enrolled of 244 seats across 15 sections | 73% full: 162 enrolled of 222 seats across 18 sections | 100% full: 1 enrolled of 1 seats across 1 section | No data for this term |
| 2012 | 78% full: 211 enrolled of 272 seats across 16 sections | 59% full: 141 enrolled of 241 seats across 17 sections | Not offered | No data for this term |
| 2011 | 62% full: 112 enrolled of 180 seats across 15 sections | 72% full: 169 enrolled of 235 seats across 16 sections | 100% full: 1 enrolled of 1 seats across 1 section | No data for this term |
| 2010 | 68% full: 139 enrolled of 204 seats across 13 sections | 66% full: 159 enrolled of 240 seats across 15 sections | 100% full: 2 enrolled of 2 seats across 2 sections | No data for this term |
| 2009 | 53% full: 106 enrolled of 200 seats across 14 sections | 58% full: 132 enrolled of 229 seats across 23 sections | Not offered | No data for this term |
| 2008 | 59% full: 176 enrolled of 297 seats across 17 sections | 56% full: 158 enrolled of 280 seats across 20 sections | Not offered | No data for this term |
| 2007 | 52% full: 136 enrolled of 262 seats across 15 sections | 68% full: 165 enrolled of 241 seats across 18 sections | Not offered | No data for this term |
| 2006 | 52% full: 116 enrolled of 222 seats across 17 sections | 53% full: 117 enrolled of 222 seats across 15 sections | 20% full: 10 enrolled of 50 seats across 2 sections | No data for this term |
| 2005 | 57% full: 141 enrolled of 246 seats across 13 sections | 58% full: 142 enrolled of 245 seats across 15 sections | 100% full: 3 enrolled of 3 seats across 3 sections | No data for this term |
| 2004 | 62% full: 141 enrolled of 229 seats across 11 sections | 65% full: 154 enrolled of 238 seats across 15 sections | 25% full: 3 enrolled of 12 seats across 1 section | No data for this term |
| 2003 | 69% full: 122 enrolled of 177 seats across 8 sections | 63% full: 177 enrolled of 279 seats across 17 sections | Not offered | No data for this term |
| 2002 | 58% full: 111 enrolled of 190 seats across 8 sections | 67% full: 124 enrolled of 184 seats across 12 sections | Not offered | No data for this term |
| 2001 | 51% full: 97 enrolled of 191 seats across 13 sections | 43% full: 120 enrolled of 280 seats across 17 sections | Not offered | No data for this term |
| 2000 | 34% full: 72 enrolled of 213 seats across 14 sections | 39% full: 114 enrolled of 290 seats across 16 sections | Not offered | No data for this term |
| 1999 | 39% full: 78 enrolled of 200 seats across 10 sections | 36% full: 70 enrolled of 193 seats across 9 sections | Not offered | No data for this term |
| 1998 | 34% full: 97 enrolled of 285 seats across 11 sections | 21% full: 81 enrolled of 394 seats across 11 sections | Not offered | No data for this term |
| 1997 | 38% full: 94 enrolled of 245 seats across 8 sections | 28% full: 68 enrolled of 240 seats across 9 sections | Not offered | No data for this term |
| 1996 | 30% full: 72 enrolled of 244 seats across 6 sections | 30% full: 99 enrolled of 325 seats across 11 sections | Not offered | No data for this term |
| 1995 | 6% full: 72 enrolled of 1139 seats across 6 sections | 27% full: 76 enrolled of 279 seats across 7 sections | Not offered | No data for this term |
| 1994 | No data for this term | No data for this term | Outside this course’s recorded range | No data for this term |
Below 50% full 50–74% full 75–99% full At or over capacity No capacity recorded Not offered No data for term
| Code | Title | Credits | Terms | Last offered |
|---|---|---|---|---|
| SCRN101 | FOUNDATIONS OF SCREEN STUDIES | 1 | 45 since 1995 | Fall 2026 |
| SCRN107 | INTRO TO DIGITAL FILMMAKING | 1 | 53 since 2000 | Fall 2026 |
| SCRN120 | HIST OF U.S. FILM SINCE 1960 | 1 | 17 since 1995 | Fall 2026 |
| SCRN131 | FILM NOIR | 1 | 7 since 1998 | Fall 2026 |
| SCRN214 | SOCIAL & CULT DOCUMENTARY PROD | 1 | 14 since 2005 | Fall 2026 |
| SCRN219 | ADV TP: SOUND & DESIGN | 1 | 6 since 2021 | Fall 2026 |
| SCRN222 | ST:STALKER, SLASHER, SER. KILL | 1 | 3 since 2024 | Fall 2026 |
| SCRN297 | HONORS | 1 | 47 since 2002 | Fall 2026 |
| SCRN298 | INTERNSHIP | 1.25 | 17 since 2003 | Fall 2026 |
| SCRN299 | DIRECTED STUDY | 1 | 60 since 1995 | Fall 2026 |
| SCRN130 | CRIME DRAMA &THE GANGSTER FILM | 1 | 28 since 1996 | Summer 2026 |
| SCRN108 | INTRO TO SCREENWRITING | 1 | 17 since 2002 | Spring 2026 |
| SCRN121 | INTERNATL CINEMA UNTIL 1960 | 1 | 20 since 1995 | Spring 2026 |
| SCRN208 | ADV DIG PROD: NARRATIVE FICT'N | 1 | 9 since 2008 | Spring 2026 |
| SCRN231 | FILM THEORY | 1 | 17 since 1996 | Spring 2026 |
| SCRN119 | U.S. FILM UNTIL 1960 | 1 | 14 since 1997 | Fall 2025 |
| SCRN225 | BOLLYWOOD & BEYOND | 1 | 14 since 2008 | Fall 2025 |
| SCRN123 | FACTUAL FILM AND TELEVISION | 1 | 18 since 1997 | Spring 2025 |
| SCRN124 | HIST OF INTL CINEMA SINCE 1960 | 1 | 14 since 2005 | Spring 2025 |
| SCRN291 | CAPSTONE | 1 | 17 since 2007 | Fall 2024 |
| SCRN140 | FILM AUTHORS & AUTHORSHIP | 1 | 11 since 1996 | Spring 2024 |
| SCRN261 | CRITICAL PERSPECTIVES ON TV | 1 | 14 since 2004 | Fall 2023 |
| SCRN209 | GENRE PROD WKSHOP: FILM NOIR | 1 | 5 since 2013 | Spring 2023 |
| SCRN288 | GENDER & FILM | 1 | 11 since 1996 | Spring 2023 |
| SCRN115 | CINEPHILIA | 1 | 2 since 2018 | Fall 2021 |
| SCRN122 | HIST OF AMERICAN BROADCASTING | 1 | 12 since 1997 | Fall 2019 |
| SCRN217 | CULT LOGICS | 1 | 3 since 2011 | Fall 2019 |
| SCRN2940 | INTERNSHIP | 2 | 8 since 2006 | Summer 2019 |
| SCRN114 | WRITING ABOUT FILM | 1 | 19 since 2001 | Spring 2019 |
| SCRN218 | REVIEW'G DISNEY:RACE CLAS GNDR | 1 | 2 since 2014 | Spring 2016 |
| SCRN2950 | IND ST:TRAVELOGUE DOCUMENTRY | 1.5 | 3 since 2004 | Summer 2015 |
| SCRN210 | EXPER PROD WKSHP:GLITCH AESTHE | 1 | 1 since 2014 | Spring 2014 |
| SCRN263 | STUDIES IN FRENCH CINEMA | 1 | 7 since 1997 | Spring 2013 |
| SCRN125 | INTL FILMMAKERS & HOLLYWOOD | 1 | 2 since 2011 | Spring 2012 |
| SCRN290 | CAPSTONE | 1 | 5 since 2006 | Fall 2011 |
| SCRN213 | THE INDEPENDENT PRODUCER | 1 | 1 since 2011 | Spring 2011 |
| SCRN260 | GLOBAL TELEVISION | 1 | 2 since 2010 | Spring 2011 |
| SCRN224 | WORLD CINEMA & GLBL CULTURE | 1 | 2 since 2007 | Spring 2010 |
| SCRN246 | STUDIES IN SPANISH CINEMA | 1 | 6 since 1997 | Spring 2010 |
| SCRN248 | LATIN AMERICAN CINEMA:MEXICO | 1 | 5 since 1998 | Fall 2009 |
| SCRN010 | INTRO TO SCREEN ARTS | 1 | 18 since 2000 | Spring 2009 |
| SCRN172 | FUND OF NARRATIVE FICTION | 1 | 1 since 2009 | Spring 2009 |
| SCRN216 | ANIME | 1 | 1 since 2009 | Spring 2009 |
| SCRN250 | GERMAN FILM & FRANKFURT SCHOOL | 1 | 1 since 2009 | Spring 2009 |
| SCRN267 | FRENCH CINEMA:THE NEW WAVE | 1 | 2 since 2002 | Spring 2009 |
| SCRN160 | SOUNDTRACKS | 1 | 4 since 2000 | Fall 2008 |
| SCRN145 | EXPERIMENTAL FILM PRODUCTION | 1 | 4 since 2002 | Spring 2008 |
| SCRN215 | CITY OF THE FUTURE:SCI FI FIL | 1 | 1 since 2008 | Spring 2008 |
| SCRN249 | HISPANIC & LATINO CINEMA | 1 | 3 since 1998 | Spring 2008 |
| SCRN230 | IMAGES OF YOUTH | 1 | 3 since 2005 | Fall 2007 |
| SCRN1200 | HISTORY OF AM FILM AFTER WWII | 1 | 1 since 2007 | Summer 2007 |
| SCRN1260 | INTRO TO TV SITCOM WRITING | 1 | 1 since 2007 | Summer 2007 |
| SCRN150 | COURSE CANCELLED | 1 | 3 since 1998 | Fall 2006 |
| SCRN163 | CANCELLED COURSE | 1 | 2 since 1995 | Fall 2006 |
| SCRN252 | CANCELLED COURSE | 1 | 3 since 2001 | Fall 2006 |
| SCRN262 | 19C BRIT:AUSTEN-HOLLYWOOD | 1 | 1 since 2005 | Fall 2005 |
| SCRN1250 | INTRODUCTION TO SCREENWRITING: | 1 | 1 since 2005 | Summer 2005 |
| SCRN284 | FILM AS NARRATION | 1 | 2 since 2002 | Spring 2005 |
| SCRN159 | FILMS OF JEAN RENOIR | 1 | 1 since 2004 | Fall 2004 |
| SCRN171 | STORYTELLING THRU VIDEO | 1 | 3 since 2000 | Spring 2004 |
| SCRN289 | IMAGES OF YOUTH | 1 | 5 since 1996 | Spring 2004 |
| SCRN161 | CRITICAL PERS ON TELEVISION | 1 | 6 since 1997 | Fall 2003 |
| SCRN207 | DIGITAL PRODUCTION/EDITING | 1 | 2 since 2001 | Spring 2002 |
| SCRN146 | STUDIES IN SPANISH CINEMA | 1 | 1 since 2000 | Fall 2000 |
| SCRN152 | JAPANESE CINEMA | 1 | 1 since 1999 | Spring 1999 |
| SCRN188 | CULTURE OF WEIMAR REPUBLIC | 1 | 2 since 1996 | Spring 1999 |
| SCRN205 | HOLOCAUST ON FILM | 1 | 1 since 1998 | Fall 1998 |
| SCRN184 | FILM AS NARRATION | 1 | 1 since 1996 | Fall 1996 |
| SCRN148 | INTRO LATIN AMER CINEMA | 1 | 1 since 1996 | Spring 1996 |